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Thursday, November 11, 2010

Why do mystery writers write the things we do????

Today, I have a guest blog from Kathryn Casey, whose book The Killing Storm is hot off the presses. She's seen the dark side of life, writing true crime books, and now she's crafting her own murder stories, instead of letting the real-life bad guys call the shots.  Why are we mystery writers drawn to the things we write?  Well, I think I tell my stories because they give me the power to set things right.  In my little world, justice is done, even though we all know that in the real world, this just isn't always so.

Let's let Kathryn tell us the inspiration for her fiction herself. And if you'd like to see a trailer for her book, you can do that at the end of her post.

Happy reading!
Mary Anna

Fictional bad guys are better
By Kathryn Casey

When Singularity, my first mystery, came out, I noticed a couple of distinct reactions from family and friends. Before reading it, they seemed delighted that I wasn’t hanging around courtrooms and prisons as much as in the past, during my more than two decades as a journalist, writing true crime books and covering real murder cases. “It’s good for you to not see such a depressing side of life,” my aunt said one day, patting my hand. “It’ll give you a more optimistic view of the world.”

I didn’t argue. First, my parents raised me to not contradict my elders. Second, it can get pretty intense covering real murder cases, sitting with the victims’ and defendants’ families, watching their reactions, listening to the evidence, often grisly, looking at disturbing crime scene photos, and then, later, interviewing the killers.

My family and friends relief, however, was short lived. When they’d actually read the book, some eyed me rather warily. “You know, Kathy,” a friend said over lunch in a crowded restaurant one afternoon. We were out celebrating the new novel, and we’d both sipped a couple glasses of champagne. I was feeling rather effervescent when she said, “Some of the girls have been talking, and we’re wondering if we should be concerned with the ideas you have floating around in your mind.”

I put down my fork, looked at her eye-to-eye, thought briefly, and then said, “You know, you really shouldn’t bother. I’m pretty sure, I’m okay.”

“But those murder scenes in your book,” she said, growing ever more adamant. “They were, how should I put this, unusual. Do you often think about such things often?”

Again, I took my time, considering the scenes she’d referred to. My main character, Sarah Armstrong, is a Texas Ranger/profiler. She doesn’t get the run of the mill murders. Instead, she’s kind of like that TV doc House, the one they call on to weed through all the clues when they can’t crack a case. In that first book, the one my friends had just read, Sarah hunted a serial killer and the death scenes were indeed unusual, in fact, ritualistic might have been a better word.

“You know, I do think about such things,” I told my friend, who shook her head slightly at my confession. “But you don’t need to worry, because the beauty of fiction is that none of it’s real.”

As my aunt had hoped, the transition from fact to fiction has been invigorating. After all those years covering real cases, I do have rather strange things floating around in my head, and, for the first time, I’m letting them out to play, resulting in plenty of plots and characters to draw on.

For instance, in the second book in the series, Blood Lines, I wrote about a deadly cyber-stalker circling a pop star and an oil company exec found shot through the head with a farewell note beside her body. Was it suicide? I’m not telling, but I will say that both plot lines tied back cases I’d heard about but never wrote about back in the early nineties. So their roots are real, even though they’re thoroughly fictionalized in the book.

So is it any surprise that in the aftermath of Hurricane Ike hitting my hometown, Houston, I wrote a book entitled The Killing Storm? The African symbols and the sugar cane plantation in the book? All modeled after real places and archeological finds within an hour of my house. The location where the book builds to a climax? You guessed it. Real.

Yet everything else materialized when I let my imagination take over, freed from worrying about sticking to the facts, able to mold the best plot, scene, and characters. What’s the most delightful thing about writing mysteries? For me, it’s that when it comes to the killer: pure fiction.

Kathryn Casey is the author of six highly acclaimed true crime books and the creator of the Sarah Armstrong mystery series. Learn more about her at www.kathryncasey.com








Sunday, November 7, 2010

My mother

I've been a less faithful blogger lately, because my mother has been very ill.  We lost her last week.  Being a writer, I felt a need to set down some of my memories of her, so I hope you don't mind if I stray from the topic of this blog, just for today.

As we were planning her funeral service, the minister asked my sister and me some questions about our childhood and about our memories of Mama. Then he asked for something brief that captured her spirit, perhaps something that we could imagine carved on her tombstone. I really couldn't think of anything to tell him, except for the word, "Mother."

Since I am a novelist, any effort to expand her description beyond a single word naturally metamorphosizes into many, many words. Since she was a singularly beautiful woman, that description naturally includes photographs. Here are those words and pictures.

My mother Lillian was born in January 1937, almost exactly one year after her sister. Two years later, their mother was dead of one of those things that don't kill healthy young women any more, pneumonia. I'm told that someone was driving frantically to Mobile, hoping to find one of those miraculous new antibiotics, a sulfa drug, but he didn't get back in time. She was 26.

Before their mother died, she made two special little dresses,one pink and one blue. I've never seen any like them. They were made of maybe 30 triangles of silk that were connected by flat strips of white insertion lace to make the dresses' skirts. The strips of lace extending from the skirt were sewn together at the top to form the dresses' bodices. I'm told that my grandfather helped her make them. She basted them together while he, being a mechanical engineer and thus handy with things that had motors, ran the sewing machine.

This picture of the girls wearing the dresses was probably taken after their mother died.
By the time I was born, the dress was too fragile to wear, so my mother copied it in pink cotton batiste. My sister and I both wore the copy. When my girls were born, Mama gave it to me, and they both wore it. I think it's still in good enough shape for my granddaughter to wear after she's born in January, but I have a hankering to see if I can engineer yet another copy. We'll see if I work up enough nerve to give it a try.

As a Mother's Day gift a few years ago, my sister and I had the original dress cleaned and mounted in a shadow box, along with photos of all the girls who wore it or the copy, as well as the grandparents who made the original. We included our sons' photos, not because they wore the dress, but just because we kinda like them. :-)  Here's a crummy photo of the contents of that shadowbox.
Maybe I'm losing my mind, but look at this photo. I just propped the frame against the wall, sat on the floor, and snapped the shot with my phone, so you can see the reflection of everything in the room in the glass.

Look for my reflection. You can see my white shirt and dark hair. Do you see the reflection of someone else wearing a slightly darker blouse partially obscuring mine? It looks an awful lot like the blouse we buried my mother in.  I've always had the traditional engineer's skeptical approach to the metaphysical, but I really can't think of anything to explain that picture.

Here's a photo of the last little girl to wear the current copy, my younger daughter, along with her mother, grandmother, sister, aunt, and godmother.
 It was perhaps destined that my mother would be an operating room nurse, because there is a story that she and her cousin had a big fight over a worm they found, because she wanted to cut it open and see what was inside, and he wasn't sure that was a good idea. She told me that she'd read everything in her high school library before she graduated, and I know that she was blessed with determination, because Daddy told me that her Daddy took him aside before the wedding to warn him that she "butts with her own head." So I am not surprised that she was at the top of her nursing school class, graduating with an RN license that was a lifelong source of pride. She was in charge of the OR by the time she was 25, and the doctors liked working with her because she was cool, and because she was smart, and because she taught herself to cut sutures with her left hand the very night after she saw that it was a useful skill to have. I love this photo of her as a student nurse in the mid-1950s, especially the open door on the nursing dormitory behind her.
Many years later, I was asked to contribute a story to a very noir publication. Since modern noir connotes a bit more blood-and-guts than I typically write, I pondered a while on this story. Then I decided that I didn't have to take this story onto mean streets that I knew nothing about. It stood to reason that there should be plenty of blood-and-guts in an operating room. And I thought a 1950s-era OR would be even more noir. Mama was so enthusiastic in helping me get the setting of the story right, to the extent of mailing me her old textbooks, that I gave her co-author credit for "Starch," which you can find here:

http://www.amazon.com/Starch-ebook/dp/B003EEN1EQ/ref=sr_1_3?ie=UTF8&m=AG56TWVU5XWC2&s=digital-text&qid=1297702260&sr=1-3

While in nursing school, she met Daddy. Since people are at their most beautiful when they're in love, I'm including two photos from 1956, one of the two of them at a Christmas party and one that he took of her at Audubon Park in New Orleans while she was training at Charity Hospital.
They married immediately after her 1957 graduation in a small ceremony at the parsonage. Afterward, she was an OR nurse and he did sales for a tobacco company until he finished college, thanks to the GI Bill. Daddy got a job at the Kaiser Aluminum plant where he was eventually plant manager until he retired at age 52.
A sympathy note I received this week mentioned that my father "had personality coming out his ears," and he did. I'm told that the brass at Kaiser Aluminum didn't know what to do with this slow-talking man who would say absolutely anything he pleased to them and who could get away with it, because he had the charm and looks of a Hollywood star. And because he knew he could run his plant so that it was eternally profitable. And also because he knew that nobody else wanted to go live someplace obnoxious like Mississippi and they'd have to do that if they fired him. And the final reason he never kissed up to his bosses was because he had no interest in moving further up in the company, not if it meant that he'd have to move his family someplace obnoxious like New Orleans or Oakland or Gary, Indiana.

My father never met a stranger, and he liked to tell about the time he was dressed all slick in a suit and tie, flying cross-country to a corporate meeting in Oakland. He chatted with the Yankee lady in the seat next to him for the entire flight, and he used his college English and his company manners and everything, but she apparently never got past the accent. As the plane landed, she asked, "Pardon me, sir...but are you a hick?"

He just grinned and said, "Yes, ma'am. I are."

Mama stopped working and commenced mothering when I came along in 1961. This picture was taken in 1963, while she was pregnant with her second and last child, my sister.  So, technically, we're all three in the shot.
Mama made virtually everything we wore during our growing-up years, and I'm still spoiled by the experience of strolling into a fabric store, picking out a dress pattern and asking if she could put on a different sleeve, then picking the fabric and color that suited me. She cooked a hot meal and we ate as a family every night. And we washed every meal but breakfast down with her iced tea. Everybody loved her cooking, but there must be something on the y-chromosome that responds to southern cooking. It didn't matter where he came from, if a man sat down at my mother's table, he drank a gallon of that tea and he ate her potato salad until he hurt himself. She passed those recipes on to me, and I've handed them on to all three children. Her interest in sewing seems to have stopped with me and my sister, however.

Here are two pageant gowns she sewed for me. The first one was made from fabric we bought at a fire sale. The other girls had department store dresses, but I won the pageant and the evening gown competition. For the state pageant, we found a photo of a dress we liked, then she copied it, using a pattern that really didn't look much like the original dress at all. Notice how perfectly the bodice fits and know that one of my shoulders is lower than the other and one hip is higher than the other and that I weighed ninety pounds at the time. Have I mentioned that I am spoiled when it comes to shopping for clothes?
      
It became apparent early on that my sister and I...um...weren't ordinary. There were no gifted programs in elementary schools back then, but she'd heard about such things being offered through the university education department. She consulted with our pediatrician, Dr. Mary Clark, who probably knew quite a little bit about being unordinary, since she was already middle-aged by that time and there couldn't have been many women in med school with her.

Dr. Mary showed the southerner's typical disdain for hiring experts to do things that can be addressed through common sense. She told her to encourage any interest we showed and to fill the house with books.  She took us to the bookmobile in the summers and all three of us left with stacks of books. The archaeology books passed through all of our hands, and they are probably the reason I write what I do. That, and the fact that my mother excavated some really cool stuff out of the trash pit left in the woods behind our home by the residents of a long-gone house. Also, she found some arrowheads and the quarry where their stone was dug in those very same woods.

My mother was there for me during all the little bumps in my road, and the biggest of those was probably my second child's premature birth. She and Daddy took my little son to their house and brought him to see me on weekends.  Every week, Mama would go to the hospital, check out the baby, and pronounce that the doctors were wrong. (My sister and I have always said that if she'd been born in 1967, instead of 1937, she would have been a doctor herself.)  She declared that this baby was going to be fine. Here she is, holding my daughter when she was three months old and nearly ready to leave the hospital. She kept stretching her arms out and waving her little hands in the air. The doctors said it was a reflex and maybe a sign of brain damage. Mama said that the baby was just saying, "Look at my pretty hands!" Mama was right. And my daughter's hands really are pretty...
After my daughter got out of the hospital, my father liked to carry her around and introduce her to strangers by saying, "See this little thing? She weighed a pound and ten ounces when she was born! Just look at her!" He was also ridiculously proud of his daughters, bragging about my sister's PhD in chemistry and my master's in chemical engineering by saying, "All my boys was girls." (He frequently dispensed with the college English when he thought Mississippi talk did a better job of getting his point across.) He died of lung cancer at 58 in 1992.

Mama carried on alone, though it must have been hard. After they'd been married about 25 years, one of his friends asked my father if he'd seen the really beautiful woman who'd walked into church that morning. Daddy said, "Really, I think my wife is the most beautiful woman there is." I wish they'd had more than 34 years together.

My mother was diagnosed with breast cancer in 1998. When the biopsy came up positive, I carefully packed my suitcase for the trip to Mississippi...then left it on my living room floor. I had to borrow underwear until her surgery was over and I could take time to run to Walmart.

After the diagnosis, I told her we'd take a trip when she got finished with her chemo. Because we loved archaeology and science so much, I found us a cruise that started in Athens, went to ruins in Turkey and Romania, then stopped in the middle of the Black Sea to view a total eclipse of the sun. Here we are embarking on our adventure and viewing the eclipse in our matching flamingo shirts.

She went on to have many years of remission and then manageable disease until the cancer took her last week, but it was on that trip that I first sensed that responsibility was being passed to me. It was a strange feeling.

Before my son's wedding in March 2009, Mama's doctor told me that she would not see my daughter's wedding in September of that year. She made him into a liar, then she lived more than another year, just to show she could. Her father did say that she butted with her own head. Here she is, making her entrance on my son's arm at that wedding she wasn't supposed to see.

I think the greatest gift our parents gave my sister and me was the fact that they never once suggested that there was anything we could not do. When you realize that I'm talking about 1960s Mississippi, a place where few people considered that girls might want to do much of anything, I think that their attitude was extraordinary.

To sew a lovely bit of trim on all this remembering, here is a photo from Christmas 1963, when I got my first piano and my infant sister lay on a blanket under the tree and Daddy caught Mama in her flannel pajamas. All Christmases should be like this one, and all childhoods should be like mine.









Monday, October 25, 2010

25 years ago today...

Today, Stacy Juba is graciously hosting me on her blog, 25 Years Ago Today, where I'll be talking about...um...let me think...what I was doing 25 years ago today.  Fortunately, I know pretty much what I was doing way back then, because my firstborn entered this world on Halloween 1985.  Coincidentally, I just wrote a book wherein the viewpoint character is weeks away from giving birth for the entire length of the book.  Visit Stacy's blog to see how one experience informed the other:

http://bit.ly/bW1CdN

Monday, October 18, 2010

More from Key West...

I promised more tales from the very remote and exotic Key West.  Sometimes I think we all forget how remote it really is.  It's just Florida for heaven's sake.  Everybody's been to Florida.

Well, folks, I'm not even in the northernmost part of Florida, but it took me about nine hours to drive from here to Key West.  It's a heckuva a long way.  That means that if you're talking about the Orlando theme parks when you say, "Everybody's been to Florida," then you're talking about a place that's still seven hours from the spot where US 1 ends in downtown Key West.

Speaking of Key West's status as the really-and-truly-I-mean-it end of the road, when I started on my trip, I got my GPS out of the glove compartment and started to set it.  Then I thought, "Um...I drive south to where the Florida Turnpike starts.  Then I drive south for the turnpike's entire length.  Then I get on US 1 South and I drive until I run out of road.  If I can't find Key West without a GPS, then I really shouldn't be driving a car."

That last 125 miles of Highway 1 is so spectacular and unique that I think it should be on everyone's bucket list.  It follows the route of the Overseas Railroad constructed by Henry Flagler's Florida East Coast Railway in 1912, which was considered a wonder of the world in its day.  When the railroad was destroyed in the great Labor Day Hurricane of 1935, the route was sold to the federal government for the purpose of building a highway.  Over the years, the old bridges have largely been replaced, but some of them still stand, adding a sense of history to the drive.  Here's a picture of the Bahia Honda section of the old bridge.  It's been cut, so that no one will continue using it, but it was left in place for use as a fishing pier.  The new bridge is roughly parallel and to the right of the bridge as you're looking at it.  As you drive across the new bridge, on the dividing line between the Florida Straits and the Caribbean, you feel like you're driving on top of endless water in every possible shade of blue and green.  You can't help cranking up the radio and rolling the windows down.

On the other side of Bahia Honda Key is a world-famous beach.  It's frequently on one of those Top Ten beach lists that show up in magaziens and on the internet, and it's just spectacular.  It's not one of those carefully groomed and raked stretches of beach.  No, I've been there three times now, and the fine sugar white sand always has a pretty decent coating of dried seaweed.  This isn't surprising, because you can see dark patches of seaweed beds under the clear water.  When there's a good bit of surf, as there was on the times I visited, the water is heavily laced with seaweed and murky with white sand.  All these things only serve to make the beauty feel natural. 

Check out this photo to see just how crowded Bahia Honda's beach was on a beautiful September Saturday.  I walked down past the furthest point you can see in the picture, to the end of the island, and I found a large area of clear and seaweed-free turquoise water where I could walk, thigh-deep, far from shore.  I just floated in it, practically alone, except for a handful of other folks who were far away and minding their own business.  It was a little slice of heaven.  (I'm sorry, but I cannot seem to make the graphics program turn it 90 degrees and keep it there.  It turned the Bahia Honda Bridge photo properly.  It actually turned this one properly, but when I post it, it flips over again.  There are many things about computers that I don't understand.  Sigh.)



On that note, I'll sign off, promising you more Key West stories and pictures soon.  If you want to hear my thoughts on music and mystery writing, today's my day to post over at The Lady Killers.  Hop over there and you can see a picture of my piano and everything.  How cool is that?  (Okay, it's not all that exciting to most folks, but it is a wonderful piano.)   :)

Happy reading!
Mary Anna

Tuesday, October 12, 2010

Making sausage elsewhere...

I'm guest blogging today for Lelia Taylor at Buried Under Books.  It's the traditional Columbus Day, which is the official release date for Strangers.  I'm blogging about the reasons why I chose that date, so hop over there and see for yourself.

Some of you may remember Lelia's mystery and science fiction bookstore in Richmond, Virginia, Creatures 'n' Crooks.  She has turned from bricks-and-mortar book sales to online book sales, so if you'd like to shop for books while you're there, you'll find the kind of service she gave face-to-face at her store.

Here's the link:
http://www.cncbooks.com/blog/2010/10/12/history-hauntings-and-murder/

Saturday, October 9, 2010

I'm headed west...

...but not very far west.  I'm going to Mississippi.

I'll be in the Florida Panhandle on Monday, speaking to the collegiate high school of Northwest Florida State College, then I'll be sleeping in Alabama. 

Early Tuesday, I'll be off to Hattiesburg, Mississippi, where I'll be speaking at Main Street Books in Hattiesburg at noon, and at Oak Grove Public Library at 5:30 pm. 

On Thursday, I'll be at the Purvis Public Library, in Purvis, Mississippi, at 5:30 pm.

And on Friday, I'll be at the Laurel-Jones Public Library, in Laurel, Mississippi, at noon.

Or, if you prefer, you can check out my schedule here.

I'll be back here with more tales from Key West and Mississippi but, first, I've gotta go celebrate Columbus Day week in Mississippi.  Because there are few books more suited for a Columbus Day release than Strangers...

(Gorgeous cover, huh?)

If you're near any of those stops, please come see me.  I love to put faces with email addresses...

Monday, October 4, 2010

Homesick for Key West...

Today is the first day I'm really trying to get back to work since my fabulous writer's residency with The Studios of Key West.  These wonderful people gave me nine days in an apartment in the heart of Key West's Old Town historic district.  And what did I have to do in return?  Nothing but write.

Now, remember that I have spent the past quarter-century rearing three wonderful and adorable children, writing when they were in school or asleep or locked in a closet with a bowl of water.  How often have I had nine days with no responsibilities other than to keep myself fed and avoid burning down the house and make up stories?

I'll tell you the answer to that question.  Never.

And I'll tell you something else.  It was great!

I am woefully behind on the seventh Faye Longchamp mystery, Plunder, but I have never missed a deadline in my life and I don't expect to miss one now.  So even though I was sitting in the middle of a tropical paradise, I set myself a daily goal of ten pages a day.  As long as I hit that mark, I could go out and play.  Since life experience is part of the work of a writer, even that play time wasn't wasted.  (And really...is play time every wasted?)  The next book after Plunder will be set in Key West, which is what prompted me to write a proposal for this residency in the first place. 

It was important that I spend some of this time getting to know the island, so I walked all over the historic section, just to look at the pretty houses in their sherbet colors and white gingerbread trim.  I watched sunset at Mallory Square twice.  I had dinner at a harborfront restaurant and at Margaritaville and several other places.  I grocery shopped and cooked my own tropical fare--shrimp salad, guacamole from local avocados, lots and lots of sliced mango.  I got lunch and cafe con leche at the neighborhood Cuban restaurant and consumed it on the deck outside my bedroom, located beneath one of the biggest mango trees on Key West.

I'll post more photos and tell more tales later in the week, but here are a few to tide you over until then.  And I'll probably say this a few more times, but thank you to The Studios of Key West!

Mary Anna

My apartment's private patio and, behind it, the trunk of one of the largest mango trees in Key West.  
This is why they call the apartment "The Mango Treehouse"


Sunset at Mallory Square--Key West's daily end-of-the-day party
 
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