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Wednesday, June 30, 2010

Writing Tips for the Practical-Minded #6: Take care of your body

We live in Stone Age bodies. Those bodies are beautiful, and they are astonishingly made, but they were designed for life in the Garden of Eden. I don't know about you, but I don't spend a lot of my time these days foraging for nuts and berries. And I sure as heck don't spend every waking hour walking around in search of my next meal.

I, for one, am very happy that I don't spend every waking hour afraid that some sabre-tooth tiger is hoping to eat me.

Owning a car means that I will never have the cardiovascular health of a Stone Age woman. Owning a whole bunch of chairs means that I could never crouch for hours on end, the way our ancestors did. And owning a computer means that I spend hours on end in one of those unnatural chairs, holding my head and neck and arms and hands in a completely unnatural position.

We all pay a price for our cushy 21st-century lifestyles. A writer's price comes in the form of neck trouble and carpal-tunnel syndrome and headaches. You are sitting at your computer now, reading this. Take a moment to listen to your body. Are you relaxed? Are any of your muscles crying out for attention? If so, you'd best listen, because time will only make it worse.

A few years ago, I was suffering from chronic neck and jaw pain caused by an accident that had nothing to do with my writing, but sitting at a desk typing on a computer every day was making the pain unbearable. I had to change my writing environment. I wrote Effigies on a laptop computer, while resting in a recliner.

After the book was finished, I had my neck and jaw surgically repaired, but I kept my self-indulgent writing style. My recliner supports my titanium-plate-reinforced neck, and it gives me a place to rest my arms so that they can stay relaxed as I type. I feel completely stupid for having written three books at a desk, before I realized that I had the kind of career that gave me ultimate freedom in my workspace.

Besides making sure your body is properly relaxed and supported, it's a good idea to get up periodically and walk around. Years ago, I heard David Morell, of Rambo fame, say that he did serious exercise in the middle of every work day. I believe he said he played two hours of tennis between morning and evening writing sessions. Dan Brown's website once said much the same thing. At the time, I had three children at home and my writing time was so short as to make this prospect laughable. But the message is clear. Get up and move your body now and then. If you're like me, you'll just be moving it into the garage so that you can shift the laundry from the washer to the dryer, but your body will thank you. It wasn't designed for the punishment you're dishing out. And it needs to last you a very long time.

Excuse me...I need to go put my laundry in the dryer.

See you at the Anhinga Writers' Studio Summer Workshops!
Mary Anna

P.S.--one of my readers commented that she sometimes worked on her sun porch. Here's my porch worksite. See the flowered pillow adorning the porch swing behind this lovely hummingbird-attracting rose?  Sometimes I sit there to work.  Writing is a really tough life...



Tuesday, June 29, 2010

Writing Tips for the Practical-Minded #5: Verbs Rock!

My dear friend Bev Browning has decided to write a novel without using verbs. 

Bev is a brilliant writer, and you should check out her blog on training for a marathon at the age of...um...over twenty-one...at One More Time, Bev for sheer entertainment value.  If anyone can write a novel without pesky things like verbs, Bev can.  However, mere mortals like you and me, dear readers...we should leave such projects to crazy people like Bev true professionals.

I see a common flaw when I review manuscripts that are nearly, but not quite, ready for publication.  The narrative feels flabby, and flabbiness often has its roots in the overuse of descriptors.  Excess adjectives and adverbs are like fat.  They obscure the lean muscularity of your prose.  They jiggle when your story walks.

With that metaphor in mind, compare these two sentences:

"The saggy skin of her face hung loosely down her neck, floppy and pale."

"Her jowls jiggled when she walked."

Now, that first sentence isn't really terrible.  It might even work, in the right story, provided the sentences in the immediate vicinity weren't equally flabby.  It also might work if I cut out two of these four words:  "saggy," "loosely," "floppy," or "pale."

But the second sentence jiggles.  You can feel the motion of this large person.  This sentence sets up a host of possibilities for characterization.  Is she trudging through life, weighed down by burdens and by her very own body?  Or is she upbeat, striding through this world and doing what must be done, aware that strangers sneer at her floppy jowls?  I, for one, want to know.

When you edit your first draft, do a complete read-through with an eye toward word choice, particularly verbs and nouns.  A sentence can exist without adverbs, adjectives, conjunctions, interjections, and prepositions, but it ain't a sentence without a verb and (almost always) a noun.  (Despite what Bev says.)

Never miss the opportunity to trade a weakly modified noun like "saggy skin" for "jowls."  And never miss the opportunity to trade a flabby verb for a verb that jiggles.

Monday, June 28, 2010

Writing Tips for the Practical-Minded #4: The Love Interest

For reasons I don't understand, this post that I thought I scheduled to publish this morning, did not appear on schedule.  I only found out because one of my faithful readers noticed that I didn't blog today and she wrote a mutual friend to see if I was okay.  Now that, ladies and gentleman, is what I call kindness and concern.  As it turns out, I'm perfectly okay.  I'm just inept at the handling of a blog schedule.

Here's this morning's post, which was actually just a reference to my other blog, where I posted today's Pearl of Wisdom for Writers.  Are you confused yet?  I am...

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Today's my day to blog over at The LadyKillers.  The LadyKillers theme this week is "The Love Interest."  Hop over there to see my writing tip on keeping love interesting.

My, that is the eternal question, isn't it?

 :)

Sunday, June 27, 2010

Writing Tips for the Practical-Minded #3: I know you're busy, but...

It happened again today.  I was having a nice conversation with someone, and he mentioned that he had an idea for a book he was going to write someday.

Now there's nothing wrong with having a good idea and sitting on it for awhile, until both the idea and you are ready.  And there's nothing wrong with having a cool idea for a book that you know you're never really going to write.  The potential heartbreak in this situation is embodied in the word "someday."

If you truly hope and plan to write a book or a story or your memoirs or a poem, you must decide to do it, then you must make it so.  If you're truly too busy now, then look ahead and make a plan.  Say, "When school starts and the kids are on a regular schedule, I will get up an hour early and work on my poetry before I start my day."  Or maybe you do have time now, if you tell yourself that you will have dinner with your family, but that they can then watch TV without you for a day or three per week. 

Notice that these plans do not involve the word "someday."  "Someday" is the enemy of dreams.

Before I wrote Artifacts, I wrote an environmental thriller called Wounded Earth.  It took me four years, because when I began it, I had three children under ten.  As I was finishing it, some dear friends introduced me to the legendary science fiction writer, Joe Haldeman, and his wonderful wife Gay.  I was gobsmacked with awe, particularly when Gay took me aside and said, "Do you want to see the Hugos?"  (Why, yes, I did.  They were kept next to the Hugos and the Nebulas and the World Fantasy Awards and...)  And I was mortified when my friends brandished the manuscript of my book, which they'd smuggled into the house with us.

I did not ask Joe to look at my manuscript.  (He said they got so many unsolicited manuscripts from people hoping for his help that they could use them for insulation.)  But I did take away something very valuable from that encounter, beyond a new friendship.  When my friends said, "Mary Anna's a writer!", Gay said just one thing.  "Do you write every day?"  And I was happy to say that I did, unless my family responsibilities kept me from it.  I found it very interesting to see that this was her criterion for whether an aspiring writer was really serious, and whether he or she had some potential for making it.

If you make time to write a single page three times a week, then you will have a draft of a 300-page book in 100 weeks...two years.  A single page a day, every day, will give you a book in a year.

So...do you write every day?

Saturday, June 26, 2010

Writing Tips for the Practical-Minded #2: Know where you're going

Whenever I speak at schools, somebody always asks me if I outline.  I always say yes.  I always get the sense that the teacher wants to give me a big sloppy kiss. 

I probably disappoint those teachers when I go on to say that my outlines are for my eyes only.  Therefore, they display no Roman numerals or letters or fancy formatting.  Essentially, I just sit down and tell myself a story, divided up roughly into chapters.  Chapter 1 may say nothing except, "Faye finds a skull," because that may be all I need to call up the windswept and lonely island where that happens.  I may be absolutely certain that I know how to describe the nearby windswept island where the killer stands, looking at the light on her boat and knowing that someone has found his handiwork and he now has to do something about it.

The outlines for other chapters may be ridiculously lengthy.  I may have research notes I know I'll need, so I stick 'em right in the outline.  I always know when it's nearly time to start writing when I start hearing Faye and Joe talking to each other in my head.  (No, I'm not schizophrenic.  If I thought they were real people, I might be schizophrenic, but I am quite aware that they are my well-loved imaginary friends.)  Sometimes, I put snippets of those conversations into my outline, so that I'll remember where they go.

I have very successful author friends who tell me that they do not outline and, in fact, do not know how the book they're writing will end.  They write mysteries, for goodness sake.  How can they possibly lay clues when they don't know where the clues point?  Yet they do it, and they do it well.  I know that they are all brutal and efficient editors, and I do not know any published authors who are not, so they do have the option of tweaking the narrative and adding clues on the second draft.  Still, this approach leaves me white-knuckled and terrified.

For Artifacts, I wasn't even sure I could write a full-length book.  I crammed so many notes and descriptions and conversations and reminders and clues into that outline that it was 125 pages long.  In retrospect, you could almost call it a very ugly first draft. The outline for Relics was about 50 pages long.  All the rest have been about 25 pages, and I think that's a good level of detail for me and for the books I write.

I am just barely old enough to have typed on a typewriter in high school and college, but I ditched my typewriter for a TRS-80 Model 4 in 1984, and I have never looked back.  The notion of typing multiple drafts, and doing it without the capacity to correct errors, absolutely terrifies me.  I won the typing award in high school, which wasn't hard to do since I've been playing piano since I was 8.  My eye-finger coordination is amazing.  I probably type 80+ error-riddled words per minute these days.  On a computer, I can fix those errors in an instant. 

Also, and more to the point of this essay, a computer lets me type the final period on my outline, then scroll to the top and write my book in the same computer file.  Oh joy! 

I often take an important sentence out of the outline, cut it, paste it to the chapter where I'm writing, then I have it right in front of my eyes as a beacon, telling me where to go.  Remember those snippets of conversation?  I paste them where they need to go, then move on.

I once sent the first hundred pages of a new novel to my agent for review, and forgot to snip out the outline from the bottom of the file.  She called me and said, "For a second, I thought, 'What in the hell is this????", then I figured it out.

Other than that one time, I don't think anyone has ever seen one of my rough outlines, and no, I'm not pasting one here.  But now you know they exist.

Friday, June 25, 2010

Thirty days, thirty pearls of writing wisdom...

I'm launching a new blogging enterprise today, in honor of the upcoming Anhinga Writers' Studio 2010 Summer Workshops.  My pledge to you here at "It's Like Making Sausage..." is to give you an insider view of the publishing biz.  Recently, this has included such esoteric things as an eyewitness look at the oil spill and some existential musings about why I woke up Wednesday and found a ladder in my kitchen.  For the next month, I am resolved to give you straightforward advice on how to take your book idea and wrestle it to the ground.  As someone who is an inveterate reader, as well as a writer, I think that this will be interesting even to those of you who have no intention of writing a book, or even a grocery list.
Fear not.  I'll probably still sneak in off-topic musings on the oil spill and other engineering ridiculosities, but I also promise you a full month of useful writing tips.

How do you like that word?  "Ridiculosity."  I thought I had made it up, but I checked the miraculous internet.  I found that it was listed as a word in various new-fangled sources like UrbanDictionary.com and Wiktionary.com and Answers.com.  It wasn't listed in the online edition of the Merriam-Webster, but their website told me that if I wanted to pay a membership fee, I'd find it in their unabridged dictionary.  How do you like that?  Do you think it's possible that any word you want to use could be legit, if you were willing to pay enough?  Hmmm.

This brings me to Writing Tip #1:  Never bet your reputation on Wikipedia...or on any website or source that gives you any reason to doubt its accuracy or impartiality. 

When writing Effigies, I talked to several Choctaws about elements of their culture that I was incorporating into the book, but it took me a while to track down individuals willing to be interviewed.  In the meantime, I needed to write a book and I had a deadline.  So I used the internet to give me some cool background info, knowing I could check it out later.  And I'm so glad I did.

I had used a website of Choctaw names to name an important character.  He was called Okshakla, meaning Deep Water.  It suited him.  I liked it.  But when I asked a Mississippi Choctaw whether it really meant Deep Water, she said, "Um.  Maybe in Oklahoma."

Oops.  She told me how to say Deep Water in Choctaw, and a global search-and-replace fixed the problem, but in a part of my mind, Oka Hofobi will always be Okshakla.  Too bad I don't know what Okshakla means...

Check your sources!!!!

Tuesday, June 22, 2010

Why is there a ladder in my kitchen?

Tonight's post has nothing to do with writing or publishing or the ongoing tragedy of the oil spill in the Gulf of Mexico...although there were times this evening when my kitchen floor looked like an aerial photo of the gulf.  I don't often stray completely off-topic, but this evening was a perfect snapshot of the life of a homeowning single mother who is neither burly nor handy. 

If any of you are writing about such a character, I offer my experience to you as a freebie.  Stick it in your book with my blessing.  If you're not a writer, you can just read it, shake your head, and ponder the effects of entropy on the lives of unsuspecting human beings.

So I woke up this morning and found a ladder in my kitchen.  Also, I found a kitchen stool.  And a bunch of pantry goods that had been liberated from the pantry were sitting on the countertop.  All of these things had appeared after I went to bed at the astonishingly early hour of 9:30 pm.  I'm usually up and kicking until midnight, but let's think about what I did during the first 20 days of June: 

I took a trip to Louisiana to see the oil spill.
I came home told you people all about it.
I chased my adorable 2-year-old grandson for a week.
I got pharyngitis.  Quickly followed by bronchitis.
I got some antibiotics.
I flew to Arizona to see my daughter and return my grandson to his rightful parents.
I got some more antibiotics, since the first batch didn't work.
I flew home, and I found that the good fairies had not maintained my house and yard while I was gone.

This brings me up to last night, when I felt an incredible urge to go unconscious at 9:30 pm.  So I did.  And there was no ladder in my kitchen at that time.

I had to get up early this morning, because today's job was to supervise the people moving my mother's stuff to her new apartment.  When I woke my daughter to tell her I was leaving, I said something like, "Ladder?  Kitchen?"

She explained that she'd wanted some chocolate syrup for her late-night ice cream.  It was on the top shelf of the pantry.  While getting it, she'd knocked a shelf off its supports, and she was truly and deeply sorry.  I said, "Fine.  No problem.  I'll fix it tonight."

I spent a full day dealing with the move.  After supper, my daughter said, "I'll clean the kitchen like you asked, but you really need to fix that shelf first."

I'm not a very tall person, so I crawled up the ladder.  (Which was conveniently in my kitchen.)  I'm also not a very strong person, and that shelf was heavy.  I wrestled with it.  Some curse words slipped out.  ("Mom!" she says, as if a person isn't allowed to curse when she cuts her finger while juggling something oversized.)

Then I lost control of the whole big slab of particle board.  It crashed down on the shelf below, knocking off the peanut butter and the nonstick spray and, yes, a glass bottle of balsamic vinegar...that was completely full.

As you know, balsamic vinegar is near-black and sticky.  This is the point at which my kitchen floor looked like the Gulf of Mexico.

So far, we have picked up big chunks of glass.  We've used towels to soak up the vinegar and wipe up the minuscule shards of glass.  She vacuumed.  She ran the steam mop.  Right now, copious quantities of hydrogen peroxide are fighting the near-black stains in my grout.  If this fails, I may need to stain the whole floor with balsamic vinegar, just so all the grout matches.

What is the moral of this story, and why am I telling it to you?

It's simple.  If you ever wake up and find a ladder in your kitchen...go back to bed.  :)

Exhaustedly yours--
Mary Anna

Saturday, June 19, 2010

First review of STRANGERS :)

I just got home from my trip, so there will be no more reruns or pre-programmed programming here for a while.  I had a great time, but what do you expect when you travel to the home of a trained pastry chef?  :)  She is also my daughter, which made the visit doubly wonderful.

While I was gone, the first review of Strangers came in, and they liked it!  This is noteworthy, because Kirkus Reviews is known for pulling no punches when they don't like a book.  Everybody I know reads their Kirkus reviews while squinting and closing one eye, just in case the critique is too painful to read with both eyes open.

Since they liked my baby, I'll copy the opinion here in its entirety, including the lengthy plot summary, which is almost, but not completely, correct.  When you get to the very bottom, you will see that the reviewer used words like "excellent," so I am a happy writer today.  :D

Happy Saturday!
Mary Anna
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The venerable historical city of St. Augustine, Fla., is the setting for the latest archaeological adventure of Faye Longchamp and her husband, Joe Wolf Mantooth.


With the economy in shambles, a heavily pregnant Faye is thrilled to have landed a job for the new consulting firm she and her husband have founded. The site of their investigation is Dunkirk Manor, a Gilded Age mansion run as a B&B by Daniel and Suzanne Wrather, whose garden must be excavated for historic objects before they can install a swimming pool. The team quickly discovers the remains of a former pool, several long-buried baby artifacts—and some even older items. But it is a book found in the dusty attic that most thrills Faye. Soon she’s staying up nights translating the diary of a Spanish priest who arrived in 1565 with the founder of St. Augustine. When lovely young Glynis, who works at the Manor, brings Faye priceless artifacts, refuses to reveal where they were found and then disappears, Faye goes into sleuthing mode. The discovery of Glynis’s boyfriend, whose body is found in the river, leaves her wealthy developer father frantic for leads, and the police soon hire Faye as a consultant. An unsolved 1920s murder, dead babies, illegal building and the reputedly haunted mansion all play a role in Faye’s dangerous search for answers.

Evans’s excellent series (Floodgates, 2008, etc.) continues to combine solid mysteries and satisfying historical detail.

Thursday, June 17, 2010

A Very Timely Tome

I just learned that a group called The Red Hills Writer Project has published an anthology called UnspOILed:  Writers Speak for Florida's Coast.  It was originally conceived as a way to speak out against the threat of drilling off our coastlines here in Florida.  Recent events in the Gulf have put quite a different spin on the project.

The list of illustrious contributors includes my friend Lola Haskins, a well-known and accomplished poet who will be on the faculty of the writer's conference I co-organize, The Anhinga Writers' Studio Summer Workshops.

UnspOILed looks like a moving and timely collection.  You can find out more about it here.

Wednesday, June 16, 2010

Elegance at Galatoire's

A couple of years ago, I made a research trip to New Orleans as I prepared to write Floodgates .  Since I'm getting so much positive feedback from my posts about last week's research trip to south Louisiana in preparation to write Plunder.  I remember being shocked to see how much of the city still looked like a war zone.  And I remember being very pleased to see that the historic French Quarter had survived intact, so I urged my readers to take their vacation dollars to New Orleans and have a really good time.

Not being the type to drop a lot of cash in the Bourbon Street bars, I did my part for the local economy by eating very, very well.  This post about my scrumptious meal at Galatoire's caught the attention of the restaurant's historian, and she asked my permission to quote from it in the next edition of her history of Galatoire's. I said yes, of course, and I hope maybe I'll get an extra-nice table on my next trip to the Big Easy.  :)  I'm re-posting special articles from the past this week, while I'm traveling.  I hope you enjoy this one.
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Elegance at Galatoire's

Last week, I spent some time grieving about the unresolved state of the restoration of New Orleans.  This week, I think I'll change to focus to a more positive part of the story.  I'll tell you about a lovely evening I spent there, an evening that reflected the best parts of an old and rich culture.  I had dinner at Galatoire's.
I've always wanted to eat at Galatoire's ( http://www.galatoires.com ), ever since I was a little girl and my parents would get dressed up and drive to New Orleans for elegant events my father's company held there.  A couple of years ago, my yen to try the place grew even stronger when I made a dish called Eggplant Galatoire's from one of my favorite cookbooks.  It was probably the most fabulous thing I've ever made--eggplant stuffed with crabmeat and breadcrumbs and onions and seasonings and topped with a luscious sauce.  I was seized by the need to eat Eggplant Galatoire's at Galatoire's, but it took me until this month to make it happen.  (It was delicious, too.)
I learned that eighty percent of the Galatoire's experience--and it is an experience--lies in the atmosphere and service.  This is not to diminish the food, which is fabulous, but I've had fabulous food in other places.  I've never, however, been asked as I was seated whether I had a favorite server I'd like to request.  I've never sat in a restaurant that had been owned by the same family for its entire 103-year history that's still serving some of the original dishes from a long-ago Victorian era.  (In fact, the whole experience put me in mind of Ann Parker's ongoing guide to Victorian manners, elsewhere in this blog.)  I've never seen emerald-green wallpaper, handblocked to match the wallpaper that has always hung on those walls, because--well, because it just can't change.
Everywhere I went in New Orleans, I was reminded of the special character of the people who work in the hospitality industry there.  They know how to make you feel pampered, but that's true in many cities.  Nowhere else, however, have I ever encountered such a well-defined balance in demeanor.  At Galatoire's, as in so many other places in the city, the waitstaff was attentive without being obsequious or snooty.  The attitude seemed to be, "We're professionals and we're glad you're here.  How can we help you have a good time?" 
Somehow, they conveyed the feeling that, provided the men in your party showed up in a coat and tie (because some standards can never be lowered), then there would never be a velvet rope at the door or a bouncer deciding whether you were good enough for Galatoire's style of pampering.  Considering that I got a three-course meal for roughly what I paid for my entree at another, less old-school, restaurant around the corner that I'm almost certain you've heard of, then I'd say it was a rather egalitarian experience.  And I think everyone deserves a little elegance now and then.
Stay tuned next week for more of my nattering about New Orleans.  I want us to remember what they've been through, and I want people who have vacation dollars to spare to go down there and have a good time.  It's the most pleasant way to do the right thing that I can imagine.

Tuesday, June 15, 2010

A Most Pleasant Way To Do The Right Thing

While I'm on vacation, I'm re-posting some articles I wrote in 2008 that I think are very pertinent to the current crisis in the Gulf of Mexico.  When I visited New Orleans to research Floodgates, I came home terribly distressed by what I saw.  Nearly three years after Katrina, there was so much work left to be done.  I just saw New Orleans again last week and...there's still a lot of work left to be done.  I wish the things I said in 2008 weren't still so true.
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A Most Pleasant Way To Do The Right Thing
I just got home from New Orleans, where my next book, tentatively entitled Floodgates, will be set.  (And Poisoned Pen Press approved the plot, such as it is, and started preparing the contract yesterday, so it's a happening thing.)  I guess I'll share my other publishing news before moving on to the actual topic of my post.  I have had a fabulous week, from the standpoint of receiving recognition of my work.  Aside from receiving fan mails, which are a writer's best reward, I received word that Effigies had received a bronze medal from the Florida Book Awards.  While I was basking in the good feelings this news generated, I learned that it was also a finalist for ForeWord Magazine's Book of the Year.  I had already recovered from that bit of excitement when I learned that it was also nominated by the Southeastern Independent Booksellers Alliance for its SIBA Book Award.  I'm sending out sincere thanks to everybody who had a part in giving my book such high praise, and to all the people who read and enjoyed it.
Now...let me tell you about my trip to the Big Easy.  It was fabulous.  I've been there many times, and it's always fabulous, but this was my first trip since Katrina struck, so I was happy to see that this fabulousness had survived the storm.  But folks, the storm ain't over.
The French Quarter is virtually unchanged, except for the locked stores and for sale signs.  (More on that later.)  But where people really live...there was hardly a neighborhood in New Orleans that wasn't affected.  And there are many, many neighborhoods that are even yet unliveable.  Folks, this is not the way our country should support any of its cities, particularly one of its oldest.  Again and again, I was told that government aid had been promised, so everyone presumes it will come, but that approvals and red tape hold that money up at every step in the process.  All the while, families are living in travel trailers parked in their own driveways, while their home sits empty.  And I do mean empty, because so many of them are completely gutted out...the ones that are even still there at all.  Our country has mechanisms to care for its citizens through this kind of disaster, and one of them is called FEMA.  I'm here to tell you that it's not working.
Before we tar the name of our nation by blaming them for all this bungling, I hasten to point out that many, many of these homes had insurance that should have covered their owners' losses--even the homes of those people misportrayed on national TV as poor and helpless.  They were taking care of themselves quite nicely, but that makes far less interesting television.  Home ownership in the Lower 9th Ward was very high, and many of those people were insured.  I know that rebuilding New Orleans will cost the insurance companies a lot of money, but that's what insurance is for.  If those companies failed to set their rates based on the very real possibility of such a disaster, then that was their own poor business decision.  Their policyholders should not have to hire lawyers to enforce those policies. 
And if the plight of those citizens seems very remote to people not in hurricane-prone areas, then pause to consider what it would be like if we had another earthquake like San Francisco in 1906, or New Madrid in 1812.  And pause to remember that New York City, though far from tropical waters, is quite vulnerable to a hurricane's ravages.
Now that I've vented, let me get back to my original point.  New Orleans is still one of our nation's most culturally and historically important cities.  Turn on the radio, and you'll hear its influences.  Go to a fine restaurant, and you'll taste New Orleans.  Spend some time with the fine literature that's been written in and about this unique place.  But New Orleans needs us, and not just our tax dollars.  We can't control how fast that money trickles into town, but we can go there and take our dollars with us.
Tourism is down, because of reports of destruction and crime.  I have no doubt that there are places in the city that you don't want to be.  (And what city doesn't have those places?)  But the tourist areas are quite safe--when you depend on tourism dollars, you police the places they go pretty thoroughly.  I spent the last week roaming the French Quarter alone.  My sister and I went out in the evenings on foot.  I'm a small woman, and it's not hard to set off my alarms.  I never for a single second felt less than safe.
But I was alarmed.  I didn't like seeing empty chairs in restaurants like Arnaud's ( http://www.arnauds.com/ ) and Antoine's.  I didn't like having to struggle to find a tour, not because all the seats were gone, but because the company couldn't get enough paying customers to make enough money to pay the tour guide and put gas in the van.  Antoine's  ( http://www.antoines.com/ ) has been owned and operated by the same family for 160 years.  Galatoire's ( http://www.galatoires.com/ ) is an upstart, having only been in the family for 103 years.  Dining at one of these old-school, white-tablecloth establishments is a true experience, and the people are part of that experience. The historic buildings of New Orleans are, for the most part, still there.  We're not going to lose them.  But we could lose the people and the culture.
So...suffer a little for a good cause.  Take a vacation in New Orleans.  Schedule your company's conference there.  If you can't go, then go to one of the restaurants' websites in the last paragraph.  Read it.  Suffer a little because you can't go.  Then buy a cookbook or something.  You can have a little elegance at your own table, and a great American city will get a little of the support that it needs.
This is getting long, so I'll close, but I'll probably blog about this for a while.  Tell your friends to go to NOLA and think of me while they're chewing on their beignets.

Monday, June 14, 2010

Making sausage in another locale...

Today's my day to blog over at The LadyKillers, a group blog of fabulous mystery writing chicks, plus one token dude.  Our theme this fortnight is "Food," so I pulled one of my favorite recipes out of my hat and managed to make it on-topic both on that blog and this one.

It is my character Joe Wolf Mantooth's famous Spicy Corn, Crab, and Squash.  It has a creole flair, which makes it topical to the oil spill, particularly in its use of seafood, which may soon be in short supply after the oil spill has sufficiently disrupted the breeding grounds of so many sea creatures.  And, frankly, it's just delicious.  But you don't have to trust me on that.  Go to today's post on The LadyKillers and see for yourself.

Until tomorrow--
Mary Anna

Sunday, June 13, 2010

A Matter of Perspective: A Novel-writing Engineer Takes a Look at the BP Oil Spill

A Matter of Perspective:  A Novel-writing Engineer Takes a Look at the BP Oil Spill 
by Mary Anna Evans 

Aerial images of oil covering the surface of waters that were once turquoise and clear.

Suffering turtles and water birds, thickly coated with petroleum.

Computer-generated maps purporting to tell us all how bad the situation in the Gulf of Mexico is going to get.

Like the rest of America, I'd seen all those things on my television, but I'm writing a novel set in south Louisiana and the oil spill changes everything.  I needed to see the situation with my own eyes.  And as a person with a long history in the area, including a brief stint working offshore south of Grand Isle, Louisiana, I needed to see it for myself.

I am the author of a series of mysteries that feature an archaeologist who works in the southeastern United States.  Because of the nature of archaeology, it only makes sense that I weave the history of my books' settings into the plot.  Because of who I am--a chemical engineer with another degree in physics, who has worked as an environmental consultant--I feel compelled to make sure my fictional world operates properly.  My stories are intended to be entertainments, so the history and science are buried deep beneath the surface.  I do not believe you will ever pick one up and say, "This reads like a textbook!  Yuck!"

On the contrary, the books get great reviews that use words like "fascinating" and compelling," and they've won awards for being fun to read.  But they also get good reviews from archaeologists and recognitions like an award from the Florida Historical Society.  When I start researching a new story, I'm serious about getting things right, so I go to the source.

When I wrote my fifth book, Floodgates, I sold it to my editor by pointing out that I was the author to write a book about post-Katrina New Orleans that would be different from any other, because I have family there and a personal history there that includes a summer working offshore in the Gulf.  I also pointed out that, as a licensed engineer, I just might have something worthwhile to say about the levee failures.

She saw my point and let me write the book.  I made much the same argument in favor of my writing my current work-in-progress, Plunder, a book that features the oil spill catastrophe and, again, she let me write the book.  (I love her for being willing to listen to me.)

I figured that something as unprecedented as millions of gallons of oil stretching over a goodly chunk of real estate was something I needed to see with my own eyes before I could write about it intelligently, so I got in my car and drove east until I got to New Orleans.

As I drove across on I-10, the only certain indication of the disaster was periodic announcements on the Panhandle radio stations that scattered tar balls had begun washing up on their beaches, but that they were otherwise fine and open for business. As we all know, by the end of the day, those tar balls had proliferated and morphed into the splattering of oil globs that has at the time of this writing has affected 150 miles of what were the prettiest beaches I've ever seen.

There was an odd moment when I an unmistakable whiff of raw oil seeped into my car cabin. I still don't know how this could be. I was miles inland from the gulf. I spent the next few days after that way down in the Mississippi delta, which is soaked with the stuff just a few miles way from where I was, yet I only detected such a strong scent of oil once. And when I did, there was no oil in sight.  Can sea breezes really carry volatile organic compounds so far?  Who knows? I'm sure BP doesn't.

Another subtlety I noticed during my drive were two trucks loaded with pipe that was maybe 3 feet in diameter and 20 feet in length. It wasn't a particularly noteworthy sight, except for the police escort, before and after the trucks. There was no wide load sign, and the loads weren't wide. These escorts weren't the traffic technicians that usually accompany wide loads. They were marked cars with blue lights flashing. Coming home, I saw other trucks carrying the exact same load and being escorted in the exact same way.

I think the pipe was destined for the relief wells being drilled to stop the oil flow, and it was a visual reminder of the enormity of that task. If it takes two trucks and two law enforcement vehicles to transport about 120 feet of pipe, what level of effort will it take merely to get the equipment for those very important wells to the site, much less to drill two such tremendously deep wells? This may be part of the reason we're being told that it will be August before the wells will be finished.  Again, who knows?  Maybe somebody has to make the pipe before the wells can be completed.  It seems to me that someone should have thought of the logistics of this Herculean effort before they ever began drilling at that depth in the first place.

As I neared New Orleans, I drove over swamps and industrial canals and neighborhoods that shouldn't be still trashed from Katrina, but they are.  I whizzed past high-rises and the Superdome, and my car climbed high, high above the Mississippi River.  Then I hung a left and stopped in Algiers to pick up my cousin Cheryl.

Cheryl grew up on the West Bank and still lives there.  She spent several years living in Plaquemines Parish.  She'd told me that she thought she could find a friend with a fishing camp we could borrow for the weekend.  She could think of three off the top of her head, but she hoped she could get us access to her friend Kenny's camp because it "was nice."

I was expecting something like this:



(Notice how the gorgeous water and sky makes plumbing-free shacks built with scraps of plywood and random pieces of roofing look fairly beautiful.)

Here's the actual camp:



It has four bedrooms, granite countertops, stainless steel professional appliances, and it is beautifully decorated.  I looked and looked for something in that "fishing camp" that wasn't nicer than anything I owned.  Nope.  I was hoping for a relaxing getaway, but I really didn't expect luxury.  Score!

On that first evening two exhausted single moms planned our tour of the Mississippi River delta.  We did this while sitting on the porch of that magnificent "camp", looking out over the water while we soaked in the jacuzzi, drank beer, and digested a big platter of crawfish.  It was truly hard to imagine the devastation that is surely coming to that very spot.

The next morning, we headed south, intending to drive down Plaquemines Highway until it ended in Venice.
To picture this drive, you must first know that the countryside is utterly flat.  The difference between water and land in this part of the country is sometimes a mere matter of opinion.  If a person digs a ditch, he creates a canal.  If he takes the dirt from that ditch and piles it alongside, he creates something that looks to the Louisianan like dry land, so he thinks he might as well build a house on it...and it will be a canalfront house, which is a wonderful thing in this place where everybody loves to fish.

The land on either side of the highway was always low-lying and it was often swampy.  The Mississippi River was to our left, and various bays and waterways that are attached to the Gulf were on our right.  Waterfronts in both directions are protected by levees, so there was almost always at least one levee within sight.  Often those protective piles of dirt rose above us in both directions, a visual reminder that we were following a narrow spit of land as far out to sea as it would take us.

Between our camp in Myrtle Grove and Venice, I had spotted Fort Jackson on the map.  It was labeled as a historical site, so I figured it was more than just a campsite named after a long-gone fort.  The fort was well-marked, so we had no trouble finding the beautifully constructed old (1822!) masonry building.  Unfortunately, it was closed, probably in the wake of Katrina, but we could drive along the access road between the fort and the river.  We parked there and got out to explore the area that wasn't closed.  Up on the levee was an observation point with a wonderful view of the river and the fort, and of a bayou across the river known as Mardi Gras Bayou that is said to have the oldest place name (1699!) in the Mississippi Valley.

This little tour would have been exactly as I expected it to be, except for the constant thwapping of helicopter blades.  Some sort of relief effort was being conducted from the fort property, and many helicopters were taking off in quick succession.  They were dangling cables loaded with...something.  Dispersant?  Cameras?  Cheryl and I could hardly contain our curiosity.

We didn't feel comfortable striding into that busy makeshift heliport, so we approached two gentlemen walking across the parking lot.  They were wearing protective jumpsuits and had just disembarked from a helicopter that didn't seem to be associated with the others.  It turned out that they were with the Fish and Wildlife Commission, and they'd been out doing reconnaissance.  They'd come in to deliver an oiled pelican to someone who could help.  We asked if they'd seen the spill.  They said, yes, and that it was bad.  They gestured across the highway and said "It's about fifteen miles over there."

Now the twisty river makes the geography of that area mindbendingly difficult to grasp, but I know one thing.  Fifteen miles isn't as far as I'd like it to be.  We were well above the end of the road at Venice, and Venice is a long way from the river outlets.  I did not like hearing that the oil had come up so far.

The two workers needed to go get some lunch, so we didn't keep them, but we did ask if they knew what the helicopters at Fort Jackson were carrying.  "Sandbags," they said.   "To fill the gaps between some of the barrier islands."

Now, sand is heavy.  The sandbags that those big helicopters were able to carry were relatively small.  How many trips will it take to move an appreciable amount of sand by air?  Nevertheless, those pilots were giving it a good try.  Helicopters came and went so rapidly that the whole area sounded like a war zone.

Here's one of the choppers flying over the old fort.  You can see the sandbag cable dangling.




And here are some other helicopters, flying over the fort's riverside lookout post, heading off on a mission that doesn't seem to involve sandbags.  They were heading across the river, while the sandbag activities seemed to be west of us.  I'm thinking they were doing reconnaissance.


When we left Fort Jackson, we headed to the end of the road in Venice.  There, we saw a command post sending many workers out into the spill zone.  When we got back to the house in Myrtle Grove, we were surprised to see another command post at the marina there.  Again, workers arrived by the busload, and a flotilla of boats loaded with passengers were heading out.

Two things crossed my mind.  First, all that effort is just not enough.  Huge efforts by lots of people will help the situation, but the affected area is unimaginably vast.  And second, I was disconcerted to see so much work being done so far north.

We had plans the next day to take a boat out to see the spill.  The presence of these workers made me think we wouldn't need to travel nearly as far as I would like.

The next day was my last in Louisiana, so Cheryl's friend Kenny graciously volunteered to take us out on his friend's boat.  Because no Louisianan can conceive of a boat in the water without fishing line dangled over the side, we took fishing gear.

It was a gorgeous day, with bright sparkling sunshine and waterbirds going about their business all around us.  I know there were fish underwater, because they jumped in the air periodically, but they were all genius fish who knew better than to eat the shrimp I had speared on my hook.  To get to our fishing spot, we had traveled down a canal with banks that featured a string of fishing camps that actually looked like fishing camps, as opposed to the palace where we were sleeping.

There were "For Sale" signs stuck in the muck, in case other people wanted to vacation on the water. (And I mean on the water.)  As best I could tell, the "land" being sold poked out of the water during all phases of the tide, but that was about it.  The camps were built on pilings, and you could tell that owners were using various strategies to build up their plots, including dumping oyster shells out in the yard.  Those folks either brought the shells in as fill, or they eat a lot of oysters.  I, for one, rather like the idea of eating my way to higher ground.

The notion of building on pilings, then building up the land around your home, made me think of Venice.  The notion of raising the level of the land with oyster shells made me think of the Native Americans, who were doing that very thing long before Columbus showed up.  The notion of sleeping in...no, the notion of walking in...one of those mildewy cabins gave me the willies, but I did admire the ingenuity of people who built them out of whatever spare building materials they could haul out on their boats.  Most of them had air conditioners protruding from the walls, powered by generators that are stored in strongboxes in the yard.

I don't think this ingenuity extended to plumbing.  I'm sure they had plenty of water to cook and wash with, because there were various collection systems set up  to store rainwater in barrels.   However, we saw no pipes beneath the raised buildings to carry sewage away, so I figured we were looking at a latrine situation.  One cabin actually had a couple of toilets sitting out in the yard, for all the world to see.  We did not fish anywhere in this area.

Here is a pic, but understand that my camera seems to magically make them look more beautiful.  I wish it worked that way on me.



Do you notice that there is no one visible in this photo?  And no visible boats other than our own?  Kenny thought this was odd on a weekend.  We should have paid attention to this oddity.

We pulled into an open bay and commenced fishing.  About the time we got our hooks wet, a Fish and Wildlife boat appeared.  This was a negative turn of events, because we'd conferred over whether Cheryl and I should get fishing licenses, and Kenny said he'd never been stopped, not once, in the twenty years since he'd moved to Louisiana.  It just didn't make any sense to pay for licenses, when we were only going to fish for an hour or so, then go look for the oil spill.

Bad decision.

The really tragic part of this fishing tale is that, for the only time in my entire life, I actually do have a valid fishing license...in Florida.  Another tragic part of this story is that we were fishing in restricted water, so I got two citations.  (I have no idea how much these citations are going to cost me, because I'm waiting for my laryngitis to subside before I try to call and ask.  I'll also be begging for mercy, because Plaquemines Parish requires you to appear in court for such things.  If they don't waive that requirement for this Floridian, I'll be driving back to Louisiana on September 27.  Not that returning to the land of good music and beignets is necessarily a bad thing...)

The most tragic part of this, however, is that the restricted water extends so very far.  We were in the wrong.  We knew there were restrictions and we certainly should have checked for them.  (And I shoulda got a local fishing license.)  But none of us had any inkling that we were so close to the oil spill.

Here are the hardworking and very nice public servants, in the very act of declaring me an interstate criminal.  That's Cheryl in the foreground.  She's just an intrastate criminal.



After this, we went back to the camp to drop Cheryl off, because she wasn't feeling well.  Then Kenny and I headed back out.  We'd confirmed with the Fish and Wildlife officers that the restrictions were just on fishing.  We were free to take the boat anywhere we liked, as long as we didn't fish.  I have put my criminal days behind me, so I made sure we didn't run afoul of the law again.

We went down the same canal, heading south.  Past the spot where we got our citations, we started seeing moored boats, encircled by boom.  We saw skiffs ferrying lifejacketed workers hither and yon.  We saw a barge loaded with disposal containers, collecting oily waste.  Two big shrimp boats were coming in, and Kenny said that they were fitting those with boom instead of nets, to sweep the oil off the water.  Here are a few scenes from the trip down the canal.



Take a good look at those pictures.  You can see a large commitment in terms of people and equipment.  But then look at the wide open marshland and open water.  The area affected is just so huge that it swallows all that effort whole.

We followed the canal until it opened into Barataria Bay.  I was still looking all around me for oil, but the boat's sides were clean.  (Which was good, since it was borrowed.)  And the workboats were all clean, too.  Then Kenny said, "Look at the grass."

All along the shoreline of the bay, several inches of oil darkened the base of the grasses.  That was all, just stained grass, as far as the eye could see.  I have no idea how deep into the wetlands that staining extended.

The water of the bay looked clean--no sheens, no free product on the surface.  Maybe the oil had come in with the tide, then left as the tide changed, leaving behind a tremendous area of damaged wetland.  Or maybe  the hardworking cleanup workers had successfully skimmed the bay clean.  But you can't skim a swamp, and you can't rip out several parishes worth of fouled grass.

Those grasses hold together the marshes that protect New Orleans and all the people of south Louisiana.  They are the nurseries for the seafood we all eat.  By diverting the Mississippi and its silty floodwaters, we have starved the marshes, and they are receding.  They can no longer withstand the natural battering given by hurricanes.  It seems unlikely in the extreme that they can bounce back from this.

I wish I could show you a photo that depicts the enormity of what is happening in the Gulf of Mexico, but you can get those on TV and in the newspaper and on the internet.  I can only show you a snapshot of a stained shoreline, taken by an engineer/writer/non-photographer with her cell phone.  It's up to you to extrapolate it, imagining square miles of land laid waste.


We headed back to the camp, waving at workers all the way.  Now that we'd noticed the staining on the grass, we saw a lot of it as we made our way back up the canal, but eventually it faded away.  It was only then that I got a good face-full of the odor of raw oil.

Why hadn't I smelled it when I was looking at it?  I have no idea.  The chemical engineer in me thinks that the oil is pretty weathered by the time it hits the upper reaches of Barataria Bay.  It has had days and miles to lose the volatile fractions that are easiest to smell.  Then what was I smelling?  I don't know.  Maybe the volatile fractions evaporating from the oil that has freshly spewed out of the earth are swept in quickly, by sea breezes.  Maybe that explains the odd reports of petroleum odors here in north Florida, presumably far from the action.  And maybe it explains the fact that I smelled oil in my car as I drove to New Orleans on I-10, miles inland from the disaster on Pensacola's beaches.

Another thing that strikes this chemical engineer is the problem of separating all that oil from the environment, once it has been released.  Chemical engineers take whole classes in separation techniques--distillation, leaching, extraction--but you can't distill the Gulf of Mexico.  And I have no idea how you'd extract oil from a living swamp without killing it.  It seems that if BP and the agencies regulating them had really considered the consequences of a failure of the blowout preventer, even if the likelihood of such a thing were tiny, then someone somewhere would have designed a system with better contingency planning, in case the unthinkable happened.

Much has been written about the ongoing tragedy in the Gulf of Mexico.  What can I add to that mountain of reporting?  I think I can offer perspective.

I got in my car last Friday and drove all day without escaping the massive influence of this event.  I spent Friday and Saturday watching many dedicated people work feverishly at the Sisyphean task of mitigating the effects of it.  We've all watched for nearly two months while hardworking and intelligent people fail to keep the disaster from getting worse.  I'm not sure that the human mind is wired to grasp the enormity of the affected area.

Just because aerial photos of the oil spill will fit on your TV screen does not mean that the problem is manageable.  We are only human.  We can only do so much.  This is a sobering thought.

As I sit here typing this narrative, and watching the news, and wondering how bad this thing will get, I feel vulnerable.  And I feel small.

Saturday, June 12, 2010

More sausage, coming your way...

Yesterday, I finished the three-part series of posts about my trip to the oil spill.  As I hit "Publish Post," I thought, "Now what am I going to blog about tomorrow?  I have no idea."

But writers write because the ideas won't stop coming.  And, since yesterday, I've gotten some ideas from a few of you.  In particular, I got an email from Donna McBroom-Theriot, who I met last summer when she attended a writing conference I organize called  Anhinga Writers Studio Summer Workshops .  She has a very well-written blog about her life experiences, and her most recent post is called Hurricane Season or Oil Season?  If you want to know what it's like to live through this disaster and watch the devastation being wrought on the local economy, click on that link and give Donna's blog a visit.

I'm currently in the process of taking those three posts about the oil spill that were written for you, my readers and friends, and editing them into a single narrative aimed at the general public.  Mostly, I think I'll be taking out the part that talks about how wonderful my grandson is.

I think it will be ready to post tomorrow.  Then I'm going to look for ways to get that story out into the wider web world.  I've never wanted to sit here every day and type some version of, "Hey!  I've got a new book!  You should buy it!"  That's why you guys get stories that I think would be interesting to readers and useful to writers. 

I think the oil spill story is timely and important, and I'd like to make it available to as wide an audience as possible.  So when the edited article goes up tomorrow, I'll ask those of you who are interested to post a link on your facebook page or tweet the address or do with it whatever strikes your fancy.  If you know of related links that you think I should post here, send them to me at maryannaevans@yahoo.com.

In the meantime, the New York Times is considering an op-ed piece from me on this subject.  If they pass, I'll just keep circulating it.  And, tapping the knowledge I've accumulated in nine years of writing about a southeastern archaeologist, I'm working on another op-ed piece on the historical sites that will likely be affected by the oil spill.  When you think about how long ago Mobile and Pensacola and Biloxi and New Orleans became European strongholds in the New World, then you'll realize how much of our cultural  heritage we stand to lose.  This is not the immediate tragedy of a dying sea turtle or the devastated economy of an entire human community, but it is a very real loss of something that can't be replaced.

I leave tomorrow on a weeklong trip to deliver my grandson back to my daughter and son-in-law in Arizona.  (Until the last moment, I reserve the right to refuse to go.  They may have to come get him.  Possession is nine-tenths of the law...)  I don't like the thought of leaving you with no sausage to read while I'm gone.  (And that reminds me that I forgot to bring some boudin and andouille home from Louisiana.  Crud.)  Besides the edited version of my oil spill trip, I've also got a few other things up my sleeve. 

If I can successfully dig them out of the archives at my other blog site, The Lady Killers, I'll post some things I wrote after I did my research trip to New Orleans for Floodgates in 2008.  I was quite distressed to see how bad things still looked then, nearly three years after Katrina, and I said so.  I also urged everybody to take their tourist dollars down to the French Quarter and spend them, particularly at some of those restaurants so old that they're haunted by the ghosts of dead chefs.  The woman who wrote the history of the restaurant Galatoire's like what I had to say so well that she quoted me in the most recent edition of that book.  (I thought that was quite cool.)  I think those observations are still timely, so I'll leave them for you to read while I'm gone.

I like to stay somewhat close to my blog theme--talking about the aspects of book publishing that many people haven't seen.  The oil spill and post-Katrina stories work, because they feature things I learned while researching my books.  If a writer sits in her chair, welded to her computer, and never gets up and goes anywhere, then she'll eventually lose the capacity to write about anything but a writer welded to her computer.  Don't let that happen to you!

While looking ahead to other publishing-related stories to tell you, while recognizing that I'm seeing a sizeable amount of traffic from people who want to know about the oil spill, it occurs to me that all my stories have some aspect of social consciousness.  I'm thinking this subject might interest those who are here because they're more interested in the oil spill than in a writer's stories about the publishing industry.  So I think I'll focus on my experiences in trying to portray a culture--our own--that has come a long way and has a long way to go.

To write about my multiracial character, Faye Longchamp, I've delved quite a bit into racial issues, particularly in Artifacts and Relics .  To write Effigies, I learned about the history of the Choctaws and the Trail of Tears.  For Findings, I used the Civil War to look at a society as it collapses.  As I've said, Floodgates, taught me a great deal about Katrina and her aftermath.  And the upcoming book, Strangers, looks at the arrival of Europeans who, to the Native Americans watching them wade ashore, were the ultimate strangers

And I have this fabulous Creole-ish recipe for corn, crab, and squash bisque that I'll throw in for lagniappe while I'm talking about Louisiana.  So I think I'll be leaving you with plenty to read in my absence.

I'll have internet access while I'm gone, so I can answer emails and publish your comments, but it just might happen a little slower then usual.  Bear with me.  I'll be back at the keyboard full-time soon enough.

L'aissez les bons temps roulez!
Mary Anna

The Oil Spill Story, All in One Place

I've edited the three posts I wrote about my visit to the oil spill into one post.  If you were following the story this week, there's nothing substantive in the new post that you haven't seen.  Writing students might want to take a gander at it.  I wrote a new lead and cut out repetitive text that referenced things I'd said on previous days.  I took out the references to my grandson and my pathetic case of laryngitis/bronchitis.  (I got antibiotics, so I think I'll survive.)

I made the judgment call of keeping the style folksy, complete with the sad story of my citation for fishing illegally, although I could just as easily have converted the whole piece into something more journalistic.  Writing students can make their own judgment as to whether this was the right decision.

I've already reworked the basic information into something much more formal and significantly shorter, for submission to the New York Times Op-ed page.  It will stay in circulation, as I'd love to find a print home for it.  And I've begun submitting queries for an article in some form for one or more online venues.  We'll see if anybody bites.

In the meantime, I'd really like this story to find a readership.  Not as promotion for my books or my blog, but just because I think it's important.  If you're so inclined, feel free to tweet it or put a link on your facebook page or chat it up in your online communities or link it to your own blog.  If you're writing about the oil spill yourself, or if you know of related articles that might be interesting to people reading here, let me know, and I'll post them here.

I'll be out of town for most of next week, but I'll try to make sure there's relatively recent content here.  Thanks for reading.

Mary Anna

Friday, June 11, 2010

Trip to the Oil Spill, Part III--Oil, as far as the eye can see

On the last day of my trip to Louisiana, my cousin's friend Kenny graciously volunteered to take us out on his friend's boat.  Because no Louisianan can conceive of a boat in the water without fishing line dangled over the side, we took fishing gear.

It was a gorgeous day, with bright sparkling sunshine and waterbirds going about their business all around us.  I know there were fish underwater, because they jumped in the air periodically, but they were all genius fish who knew better than to eat the shrimp I had speared on my hook.  To get to our fishing spot, we had traveled down a canal with banks that featured a string of fishing camps that actually looked like fishing camps, as opposed to the palace where we were sleeping.

There were "For Sale" signs stuck in the muck, in case other people wanted to vacation on the water. (And I mean on the water.)  As best I could tell, the "land" being sold poked out of the water during all phases of the tide, but that was about it.  The camps were built on pilings, and you could tell that owners were using various strategies to build up their plots, including dumping oyster shells out in the yard.  Those folks either brought the shells in as fill, or they eat a lot of oysters.  I, for one, rather like the idea of eating my way to higher ground.

The notion of building on pilings, then building up the land around your home, made me think of Venice.  The notion of raising the level of the land with oyster shells made me think of the Native Americans, who were doing that very thing long before Columbus showed up.  The notion of sleeping in...no, the notion of walking in...one of those mildewy cabins gave me the willies, but I did admire the ingenuity of people who built them out of whatever spare building materials they could haul out on their boats.  Most of them had air conditioners protruding from the walls, powered by generators that are stored in strongboxes in the yard.

I don't think this ingenuity extended to plumbing.  I'm sure they had plenty of water to cook and wash with, because there were various collection systems set up  to store rainwater in barrels.   However, we saw no pipes beneath the raised buildings to carry sewage away, so I figured we were looking at a latrine situation.  One cabin actually had a couple of toilets sitting out in the yard, for all the world to see.  We did not fish anywhere in this area.

Here is a pic, but understand that my camera seems to magically make them look more beautiful.  I wish it worked that way on me.


Do you notice that there is no one visible in this photo?  And no visible boats other than our own?  Kenny thought this was odd on a weekend.  We should have paid attention to this oddity.

We pulled into an open bay and commenced fishing.  About the time we got our hooks wet, a Fish and Wildlife boat appeared.  This was a negative turn of events, because we'd conferred over whether Cheryl and I should get fishing licenses, and Kenny said he'd never been stopped, not once, in the twenty years since he'd moved to Louisiana.  It just didn't make any sense to pay for licenses, when we were only going to fish for an hour or so, then go look for the oil spill.

Bad decision.

The really tragic part of this fishing tale is that, for the only time in my entire life, I actually do have a valid fishing license...in Florida.  Another tragic part of this story is that we were fishing in restricted water, so I got two citations.  (I have no idea how much these citations are going to cost me, because I'm waiting for my laryngitis to subside before I try to call and ask.  I'll also be begging for mercy, because Plaquemines Parish requires you to appear in court for such things.  If they don't waive that requirement for this Floridian, I'll be driving back to Louisiana on September 27.  Not that returning to the land of good music and beignets is necessarily a bad thing...)

The most tragic part of this, however, is that the restricted water extends so very far.  We were in the wrong.  We knew there were restrictions and we certainly should have checked for them.  (And I shoulda got a local fishing license.)  But none of us had any inkling that we were so close to the oil spill.

Here are the hardworking and very nice public servants, in the very act of declaring me an interstate criminal.  That's my cousin Cheryl in the foreground.  She's just an intrastate criminal.



After this, we went back to the camp to drop Cheryl off, because she wasn't feeling well.  Then Kenny and I headed back out.  We'd confirmed with the Fish and Wildlife officers that the restrictions were just on fishing.  We were free to take the boat anywhere we liked, as long as we didn't fish.  I have put my criminal days behind me, so I made sure we didn't run afoul of the law again.

We went down the same canal, heading south.  Past the spot where we got our citations, we started seeing moored boats, encircled by boom.  We saw skiffs ferrying lifejacketed workers hither and yon.  We saw a barge loaded with disposal containers, collecting oily waste.  Two big shrimp boats were coming in, and Kenny said that they were fitting those with boom instead of nets, to sweep the oil off the water.  Here are a few scenes from the trip down the canal.



Take a good look at those pictures.  You can see a large commitment in terms of people and equipment.  But then look at the wide open marshland and open water.  The area affected is just so huge that it swallows all that effort whole.

We followed the canal until it opened into Barataria Bay.  I was still looking all around me for oil, but the boat's sides were clean.  (Which was good, since it was borrowed.)  And the workboats were all clean, too.  Then Kenny said, "Look at the grass."

All along the shoreline of the bay, several inches of oil darkened the base of the grasses.  That was all, just stained grass, as far as the eye could see.  I have no idea how deep into the wetlands that staining extended.

The water of the bay looked clean--no sheens, no free product on the surface.  Maybe the oil had come in with the tide, then left as the tide changed, leaving behind a tremendous area of damaged wetland.  Or maybe  the hardworking cleanup workers had successfully skimmed the bay clean.  But you can't skim a swamp, and you can't rip out several parishes worth of fouled grass.

Those grasses hold together the marshes that protect New Orleans and all the people of south Louisiana.  They are the nurseries for the seafood we all eat.  By diverting the Mississippi and its silty floodwaters, we have starved the marshes, and they are receding.  They can no longer withstand the natural battering given by hurricanes.  It seems unlikely in the extreme that they can bounce back from this.

I wish I could show you a photo that depicts the enormity of what is happening in the Gulf of Mexico, but you can get those on TV and in the newspaper and on the internet.  I can only show you a snapshot of a stained shoreline, taken by an engineer/writer/non-photographer with her cell phone.  It's up to you to extrapolate it, imagining square miles of land laid waste.


We headed back to the camp, waving at workers all the way.  Now that we'd noticed the staining on the grass, we saw a lot of it as we made our way back up the canal, but eventually it faded away.  It was only then that I got a good face-full of the odor of raw oil.

Why hadn't I smelled it when I was looking at it?  I have no idea.  The chemical engineer in me thinks that the oil is pretty weathered by the time it hits the upper reaches of Barataria Bay.  It has had days and miles to lose the volatile fractions that are easiest to smell.  Then what was I smelling?  I don't know.  Maybe the volatile fractions evaporating from the oil that has freshly spewed out of the earth are swept in quickly, by sea breezes.  Maybe that explains the odd reports of petroleum odors here in north Florida, presumably far from the action.  And maybe it explains the fact that I smelled oil in my car as I drove to New Orleans on I-10, miles inland from the disaster on Pensacola's beaches.

Another thing that strikes this chemical engineer is the problem of separating all that oil from the environment, once it has been released.  Chemical engineers take whole classes in separation techniques--distillation, leaching, extraction--but you can't distill the Gulf of Mexico.  And I have no idea how you'd extract oil from a living swamp without killing it.  It seems that if BP and the agencies regulating them had really considered the consequences of a failure of the blowout preventer, even if the likelihood of such a thing were tiny, then someone somewhere would have designed a system with better contingency planning, in case the unthinkable happened.

Much has been written about the ongoing tragedy in the Gulf of Mexico.  What can I add to that mountain of reporting?  I think I can offer perspective.

I got in my car last Friday and drove all day without escaping the massive influence of this event.  I spent Friday and Saturday watching many dedicated people work feverishly to mitigate the effects of it.  We've all watched for nearly two months while hardworking and intelligent people fail to keep the disaster from getting worse.  I'm not sure that the human mind is wired to grasp the enormity of the affected area.

Just because aerial photos of the oil spill will fit on your TV screen does not mean that the problem is manageable.  We are only human.  We can only do so much.  This is a sobering thought.

As I sit here typing this narrative, and watching the news, and wondering how bad this thing will get, I feel vulnerable.  And I feel small.

Wednesday, June 9, 2010

Just a little housekeeping...

I'm trying to register my blog with Technorati and they want me to post a nonsense string of characters to prove I'm really the author. So here it is:  UKFZ93G3QFBD

Sorry to bother you.  Go back to what you were doing before.  There's nothing to see here.  Move along...

A Novelist/Engineer's Perspective on the Oil Spill, Part II

Regular readers may have noticed that I'm rather late posting today.  This is because I have divided today between chasing my grandson and writing an Op-Ed article about my oil spill adventure for submission  to the New York Times.  Who knows what my chances of being published there are, but they are zero if I do not try.  And just so you know how completely distracting my charming grandson is, here's a photo of the two of us together. 



It was taken a few months ago, but it is impossible to show you one made today, because I am suffering from a bout of laryngitis, and I look as terrible as I feel.  And let me tell you, when a woman as hyperverbal as me gets laryngitis, she is indeed miserable.

You may be wondering why it took hyperverbal me all day to write an article for the New York Times when I toss these pearls of wisdom in your direction daily.  Well, the Times has this flippin' word limit.  I was forced to say all I wanted to say about the oil spill in 750 words.  First of all, it takes me 750 words to clear my throat and get started.  (I can hear you all shouting in unison, "We noticed!")  And second of all, the whole point of my article is how flippin' huge this devastation is.  How am I supposed to tell a huge story in so few words?  But I am a professional, and I just flung a finely honed piece of prose consisting of 750 well-chosen words in the general direction of Manhattan.  They have a three-day response time.  If they publish the piece, you people will be the first to know.

Now, where was I?  I had just told you about arriving at the palatial fishing camp that would serve as my home base while in south Louisiana, and you were all feeling jealous that my cousin Cheryl and I got to sit in the hot tub and drink beer and watch the sun set.  So let's take the story back up early on Saturday, as we left to drive south.

First, you must know that the countryside is utterly flat.  The difference between water and land is sometimes a mere matter of opinion.  If a person digs a ditch, he creates a canal.  If he takes the dirt from that ditch and piles it alongside, he creates something that looks to the Louisianan like dry land, so he thinks he might well build a house on it...and it will be a canalfront house, which is a wonderful thing in this place where everybody loves to fish.

As we drove south on Plaquemines Highway, the land on either side of us was always low-lying and it was often swampy.  The Mississippi River was to our left, and various bays and waterways that are attached to the Gulf were on our right.  Waterfronts in both directions are protected by levees, so there was almost always at least one levee within sight.  Often those protective piles of dirt rose above us in both directions, a visual reminder that we were following a narrow spit of land as far out to sea as it would take us.

I had spotted Fort Jackson on the map, and it was marked as a historical site, so I figured it was more than just a campsite named after a long-gone fort.  It was well-marked, so we had no trouble finding the beautifully constructed old (1822!) masonry building.  Unfortunately, it was closed, probably in the wake of Katrina, but we could drive along the access road between the fort and the river.  We parked there and got out to explore the area that wasn't closed.  Up on the levee was an observation point with a wonderful view of the river and the fort, and of a bayou across the river known as Mardi Gras Bayou that is said to have the oldest place name (1699!) in the Mississippi Valley.

This little tour would have been exactly as I expected it to be, except for the constant thwapping of helicopter blades.  Some sort of relief effort was being conducted from the fort property, and many helicopters were taking off in quick succession.  They were dangling cables loaded with...something.  Dispersant?  Cameras?  Cheryl and I could hardly contain our curiosity.

We didn't feel comfortable striding into that busy makeshift heliport, so we approached two gentlemen walking across the parking lot.  They were wearing protective jumpsuits and had just disembarked from a helicopter that didn't seem to be associated with the others.  It turned out that they were with the Fish and Wildlife Commission, and they'd been out doing reconnaissance.  They'd come in to deliver an oiled pelican to someone who could help.  We asked if they'd seen the spill.  They said, yes, and that it was bad.  They gestured across the highway and said "It's about fifteen miles over there."

Now the twisty river makes the geography of that area mindbendingly difficult to grasp, but I know one thing.  Fifteen miles isn't as far as I'd like it to be.  We were well above the end of the road at Venice, and Venice is a long way from the river outlets.  I did not like hearing that the oil had come up so far.

The two workers needed to go get some lunch, so we didn't keep them, but we did ask if they knew what the helicopters at Fort Jackson were carrying.  "Sandbags," they said.   "To fill the gaps between some of the barrier islands."

Now, sand is heavy.  The sandbags that those big helicopters were able to carry were relatively small.  How many trips will it take to move an appreciable amount of sand by air?  Nevertheless, those pilots were giving it a good try.  Helicopters came and went so rapidly that the whole area sounded like a war zone.

Here's one of the choppers flying over the old fort.  You can see the sandbag cable dangling.



And here are some other helicopters, flying over the fort's riverside lookout post, heading off on a mission that doesn't seem to involve sandbags.  They were heading across the river, while the sandbag activities seemed to be west of us.  I'm thinking they were doing reconnaissance.




When we left Fort Jackson, we headed to the end of the road in Venice.  There, we saw a command post sending many workers out into the spill zone.  When we got back to the house where we were staying, we were surprised to see another command post at the marina there.  Again, workers arrived by the busload, and a flotilla of boats loaded with passengers were heading out.

Two things crossed my mind.  First, all that effort is just not enough.  Huge efforts by lots of people will help the situation, but the affected area is unimaginably vast.  And second, I was disconcerted to see so much work being done so far north.

We had plans the next day to take a boat out to see the spill.  The presence of these workers made me think we wouldn't need to travel nearly as far as I would like.

Until tomorrow--
Mary Anna
 
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